The TV Addict 

Everything you have heard about THE DARK KNIGHT is true. It’s not just an amazing superhero movie, it’s an amazing movie. Period. It proves what many avid comic book readers have known for a long time. Comics are not just silly adventures involving uninteresting do-gooders in tights, but have the potential to achieve dramatic depth and insight on the level of all fine art.

That being said, THE DARK KNIGHT is most certainly an exciting superhero adventure (albeit, far from a silly one). Batman’s battle with The Joker features no end of finely shot, deliriously orchestrated, expertly choreographed and highly destructive action sequences ranging from Batman’s brutal fist fights to intense car chases. They’re also intoxicatingly exciting, of course. Throw in great characters immersed in a thrilling, twisty plot that increasingly escalates the tension, and fantastic performances from Christian Bale and especially Aaron Eckhart, and you’re in for one hell of a ride.

It’s the nuances and thematic aspirations though that raise the film to an entirely different level, one that is stimulating and smart. So much so that I saw it a second time not only because it was awesome, but because I felt I needed another shot to appreciate the movie’s complexity and nuances. My brain is still running through them, which should - if anything - mean it passes that age-old “A good film has you still thinking about it a week later” test. It proves that THE DARK KNIGHT isn’t so much a superhero film as it is an intelligent crime drama that happens to feature a guy who dresses like a bat, and another who wears clown makeup.
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